Hepplewhite #70

 

 

 

 

To execute a literal interpretation of one of George Hepplewhite's designs can be a somewhat difficult task. In some instances, especially when drawn in elevation, details are easily determined and sometimes the lithograph is accompanied by a scale reference. This process becomes problematic when attempting one of the designs Hepplewhite chose to portray in perspective, or showing the piece "perpendicular" to the picture. 

Hepplewhite's contemporary, Thomas Sheraton, was truly a master of perspective drawing. The second part of his book "The Cabinet-Maker and Upholsterer's Drawing Book" of 1793 is devoted entirely to perspective drawing explaining complex geometric equations as they pertain to the depiction of furniture and architecture. To quote Mr. Sheraton: "Some of (Hepplewhite's) designs are not without merit,though it is evident that the perspective is, in some instances, erroneous.".

Both Hepplewhite and Sheraton were faced with the certainty and the inevitability that their designs, while attempting to be on the cutting edge of neoclassical design, could someday become obsolete. The phrase "timeless classic" comes to mind.

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